Oxfordshire Artweeks

2-25 May 2026

Artists’ Open Studios &
Pop-Up Exhibitions
across Oxfordshire.
Free to visit

  • May Festival
    • Festival map
    • Studios & exhibitions
    • A-Z of artists
    • Local trails
    • Our spring show
    • Other events
    • Festival guide
  • Workshops
  • For Artists
    • Registration
    • What is Artweeks
    • How do I get involved
    • Exhibition options
    • Regions and dates
    • Find a venue
    • Members’ resources
    • Promotional items
  • Sign in / New account
  • My Dashboard
  • Facebook
  • Instagram
  • Mail
  • Search

2-25 May 2026

Artists’ Open Studios and Pop-Up exhibitions across Oxfordshire – free to visit

Catherine Rye – portfolio

Catherine Rye in her studio making a mono print

Catherine Rye: Psyche One - Whole cloth on white linen with  digital embroidery and cyanotype  text, a figure, hands and fritillary butterflies.Catherine Rye: Held - A large Cyanotype textile in blue with silhouettes of reeds with embroidered and applique hands cupping a Glanville Fritilliary butterflyCatherine Rye: An embroidered linen pocket with text, Jacobean style pattern and a Fritilliary butterfly, with an ochre ribbon.Catherine Rye: Chequered One - An intricate, square, pieced patchwork in natural dyed silks with an embroidered butterfly, chrysalis, caterpillar and flowers.Catherine Rye: The Copse - A cyanotype whole cloth quilt with an image of a 17th century woman in woodland surrounded by mono prints of applique of ferns and maple leaves with the words “without all necessary cloathes, like a gypsy”Catherine Rye: Gossamer One - A cyanotype whole cloth print on muslin of irises, cow parsley and clematis with embroidered silk butterflies and sil backingCatherine Rye: Green Hairstreak - A printed silk art quilt of a  butterfly with appliqué, machine embroidery and applied colourCatherine Rye: Fritilliary - A collage of Cyanotype prints of fern, leaves and butterflyCatherine Rye: Sacred Herb - An encaustic collage of papers with leaves, ephemera, maps, a butterfly and calligraphyCatherine Rye: Psyche Two - A whole cloth quilt on white linen with an all over embroidery, a stitched female with hair made of words and cyanotype applique butterfliesCatherine Rye: The Levels - Whole cloth print of reeds and butterflies with Jacobean style embroidery, machine and hand embroideryCatherine Rye: A hand holding an embroidered butterfly

Contact the artist

https://www.acreativegarden.com
01865 351469
catherinecreativegarden@gmail.com

My YouTube Channel:   https://www.youtube.com/@acreativegarden

Meet the artist

The artist at work

Exhibition information

Did you know that the Glanville Fritilliary is the only British butterfly to be named after someone, and that it is a woman – Eleanor Glanville? She lived in the 17th century and had an extraordinary life and is the theme of my exhibition this year. There will be textiles, collages, books and cyanotypes and even a video exploring what it meant for a woman to be interested in natural history at that time and how she was treated after her death.

Artist information

We have always sought to understand the natural world and my work looks at how, as well as observing and appreciating the beauty of nature, we have also tried to classify it.  There seems to be a need to define a species of bird, a type of rock or the colour of a flower and to give them names, and the way this was done is also revealing about human nature.

When I made a textile piece on the marbled white butterfly (which is a striking black and white) my research led me to many wonderful colloquial names such as flying chequerboard and half-mourner – the latter referring to  how in Victorian times, after full black was worn for deep mourning, it was followed by a period when white could be added.

When I print cyanotypes, using the sun to create beautiful shades of blue, I am using the same method that early practitioners like Anna Atkins used at the turn of the 19th century when she captured photograms of seaweed and ferns for scientific knowledge.

I use a combination of print, stitch and paint on textile and paper to try and depict this world. I like to build up layers on a piece with surface decoration.  I might use a screen I made from a letter by a naturalist even if it becomes abstracted to form rather than being legible. I ‘draw’ with my sewing machine to create pattern and detail onto hand dyed fabrics and although I stylise my subjects, I hope that if someone has a look they might recognise the Tissue Moth or a Japanese fern.

Despite having a chronic illness for many years (thankfully much recovered now) I always managed to garden in some way. That combination of always having plants around me and being at home for much of the time, means that flowers and leaves are a recurring theme. We are lucky to be able to grow such a wide range of species in the UK partly because of the plant hunters who sought out rare specimens, or breeders who created exotic hybrids such as the tulips that famously created a buying frenzy. As well as being inspired by their beauty and history, I also like to use plant material to make monoprints.

I feel everyone deserves to have a flower filled life with both gardening and art  and I have a website and YouTube channel both called A Creative Garden that shares methods and inspiration to help achieve this.

45

Cornerstone Arts Centre

Events

Cyanotype Demonstration
Cornerstone Arts, Didcot
2 May to 2 May 2026

View all portfolios

Oxfordshire Artweeks
Correspondence address
8 Hazel Road
Oxford OX2 9LF
01865 865596

  • Facebook
  • Instagram
Contact
Sign up for our visitors’ newsletter
  • What’s New
  • About us
  • Advertise
  • Privacy
  • Cookie policy
  • Terms and conditions

Site managed by Eye Division

Scroll Up