Oxfordshire Artweeks

2-25 May 2026

Artists’ Open Studios and
Pop-Up exhibitions across Oxfordshire
free to visit

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2-25 May 2026

Artists’ Open Studios and Pop-Up exhibitions across Oxfordshire – free to visit

Bruno Guastalla – portfolio

Bruno Guastalla: Isle of Grain March 2026Bruno Guastalla: Hoo Peninsula March 2026Bruno Guastalla: East of GravesendBruno Guastalla: Milton firing range - East of GravesendBruno Guastalla: Feral ponies - GravesendBruno Guastalla: The National Sea Training Centre – GravesendBruno Guastalla: The National Sea Training Centre – GravesendBruno Guastalla: Grain Power StationBruno Guastalla: Brett Aggregate Plant - CliffeBruno Guastalla: East of GravesendBruno Guastalla: Hoo Peninsula - towards ShornemeadBruno Guastalla: Isle of grain - seeing Sheerness

Contact the artist

https://traceof.space

brunoguastalla[at]yahoo.com

Exhibition information

I tend to view projects I am occupied with as related to one another. The past is inscribed in the present, in materials, in people, in objects. Record making activities (photo, sound recording) may be a means to engage with that. I have been drawn to the estuary lands of the Hoo Peninsula, an area with powerful anthropo(s)cenic qualities.

“I am watching this man who is motionless in sleep and suddenly he wakes. He opens his eyes. He makes a move toward his hat, which has fallen beside him, and picks it up to protect himself from the sun.

The experience that I make out of my hold on the world is what makes me capable of perceiving another myself, provided that in the interior of my world there opens up a gesture resembling my own. The moment the man wakes up in the sun and reaches for his hat, between the sun which burns me and makes my eyes squint and the gesture which from a distance over there brings relief to my fatigue, a bond is tied without my needing to decide anything.

As long as it adheres to my body, the world exists not only for me but for everyone in it who makes gestures toward it. There is a universality of feeling—and it is upon this that our identification rests, the generalization of my body, the perception of the other.”

(extracts from M. Merleau-Ponty’s ‘The prose of the world” – translated by John O’Neill, published 1973).

 

Artist information

Born in 1957, Paris. I have worked as a professional violin maker / restorer – as a main activity – since my late teens. I have lived in Oxford UK since 1982. I also play music and make images (photographs and paintings)

338

South Oxford Arts

Sue Eves

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Oxfordshire Artweeks
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8 Hazel Road
Oxford OX2 9LF
01865 865596

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